It would be extremely difficult to tell exactly how many practicing artists in the assemblage arts medium in the U.S. maybe 5,000.
If we take this arbitrary number and multiply it by a minimum of five works we begin to see the magnitude of the production of art assemblage each year. When this is multiplied over a period of five years the production becomes staggering and then we must focus on the problem of quantity-quality. The variations and diversity of expression found within this number of works is equally enormous, as each is a separate entity unto itself. Most of these assemblage art works will be insignificant and inferior works but many will be valid and exciting forms. The immediate problem is discerning the good from the bad, The collector of art is under constant bombardment and must ferret out what holds meaning for themselves.
@Assemblage by Michael H. Wilson 2019
The goal toward which all our artistic endeavors make the connection. The task of art and the richness and poetry felt.
The task of the artist, the feeling of creating and finding the points of the compass to lead the artist to the way of things which radiate into your works. At first the artist must navigate through the array of finding things that will go into the final product. There is a wilderness of working through to finding the right components leading to a little star dust caught. Fragments of the detritus of everyday life. The identity of an object is challenged or elaborated in terms of interplay between reality and representation. Ultimately works can be reassembled, removed, a different order, shaken, tilted. The artist works to the artistic invention and imagination that the spectator might find meaning and even joy in these creations. @ Collage by Susan Spencer 2019